Specialist Services 1984

About DRESS OF WOMEN, Javier Daulte

On Sunday, 11 went to see DRESS OF WOMEN, Javier Daulte at Espacio Callejón (Humahuaca 3759 / 4862 1167), Sat 21 and Sun 20 hours. Ferdinand

Lacrosse and the next room
Any sport worth a sport in both value (negative) system. The Lacrosse is all the other sports are not. In women Clothing, clothing is adjacent to a golf a sport in a city in Hungary. Bottom line: everything you imagine about the sport and on this court and the city is suggested, often in opposition, so it is in the interior is central but not lateral to the core meaning of the drama: the final play offstage, but right there. The (intended) romances will be linked be consummated or will collapse in a hidden corner, there beside, above, back. The classic bloody event is obscene. Although the nine full nudity, the two wounds that narrates the play happen: a) behind the front panel Hellenic scenic, b) behind the panel energetic bodies.

Outside the outside is inside. This, gentlemen, is classical theater.

The Purloined Letter and the fisherman exaggerated
was once a fisherman who, from time to exaggerate the size of their catch, finished teasing her colleagues. In the end, they tied his hands so he could not pretend, opening his arms, which had caught a five-foot fish. With wrists together, however, the fisherman made a "bowl" with his hands as if holding a ball and said, "so great was the bug that I caught today was the eye that way!".

The spatial contiguity (the famous metonymy) is foundational in the history of Western theater, and survives in the most varied works, outside the palace of Thebes is the basement of the house of Babylon and costumes for women Alley Space. The intent of this resource property is to evoke in a relatively small space, an image of a large scale: the epic battle -Final match. The full public imagination (enlarged and improved) the adjacent part of the image that evokes detail: the huge fish whose eye is a ball, a terrible shipwreck, the epic game of Lacrosse.

Classically, evoked what is concrete, solid, (maybe) real. But as the years and centuries, the next is corroded by the uncertain, the indefinable, uncertainty. Javier Daulte in this work, I think, abundant and saturates the negative value of the signs in the game: no matter the content, but the value of the piece on a board that also changes with the passage of time (which in turn is impossible .) Let's see.

Plot Summary In a costume
(neighborhood) Hungarian, the lacrosse players Almagro amateur team prepares to play the final of the World Cup. They do not trust their coach. They do not trust their partners. Despite the unlimited faith in everything, do not trust anything. Still wrong, they're right.

I Ching "The future is so irrevocable / as the hard yesterday," says the poem I order a version of the King. Daulte (tell me) says, "and is written in ancient Chinese, and do not understand." The I Ching is read to strategize the game (a game that is, in turn, a symbol of life, or love, or desire, or deception). The love letter in the literary wall opening is in another language, too, as the outside world, another language, but that ejects, toward the locker room, a translator who speaks Hungarian or English, either all but one do not understand. But all pay. And a cobra. The value of the ticket is linguistic value, as the card empty, as the hair red ribbons as Kuan word that means looking but also offered the view, be a model. One shoulder hurts. A number of shoulder hurts. Then nothing happens. The Hungarian translator seems to come, for whom we could see, the premonitory dream of a chief Patagonia: the same gesture, the same intuition, but with opposite sign. Two players are identical, and therefore can exchange their name, their role as daughter, and his body victimized. Everything is stirred into the evidence, vacuum, it reveals how small and dangerous. Again and again the work points out the vacuum and the evolution of play by the rules explicitly changing it to be explicit, work the same. Seeing is believing: the time of saturation.

Almagro and dissolution
What I tried to say, without spoiling too much plot, is that above the classical "matrix" contiguity, stacking Daulte overwhelmingly playful, the language game of uncertainty. I think the effect is strong but maybe a little stressed. The book points out, he says, emphasizes the address. It is there, is there (are you there?): The costumes are so, so dress for women (filled panties, boobs, pubes angry, naked showers) which clearly indicates that it is, it can not be. It's theater, even the naked body is theater. Lacrosse is is Almagro in the heart of Hungary. That is another world.

Within specific limits, daultianos, the expertise, experience, sensitivity and emotion are stylized. Become thought. Part of chess or checkers, all alike, black and white, "this poignant ghost writing on the glass clouded his eternal love, becomes exposure.

impossible time
Finally, some pearls: Pearl

one time impossible, which is the time prior to the end and back. The time where nothing happens, nothing important happens all the time. Pearl

two astrologer trainer and personal interests. Domenech's French players Scorpio summons. The besuquero argentinisima diegote national symbol of the bicentennial, was sworn in with his boys: to defeat, always.

Pearl

three witness (secret) is to be an oracle, is to "read" the future irrevocable, said in a secretly known English and no power to prevent anything, even theft and loss of all the proceeds.

Is Ma Good For Hiking

ROUGH On a typical work of Santiago Gobernori

On Sunday I went to see ROUGH, a typical work of Santiago Gobernori in Defenders Bravard (Bravard street-phone: 15 66777050 / 15 65074348), Sun 19 pm.

Plush toys sex
In the late nineties, with the notable performers and Paul Messiez Ana Garibaldi, Cristian Drut directed a play of mine that was unlike any that I think now it seemed to all: that comment about the casual and the destination and called purely theatrical history mourn for him (you can download this book by clicking here ). Their reasons: a kinder egg and carilina. Development: two versions of a chance encounter that do not match. The thematic work on the banal, a chocolate, a tissue, was not as prevalent as it was then. The mode of narration subtly different versions on the scene was taken, I think, to a maximum term ten years later by Marcelo Minnina in Lot 77 (you can read the review of this book by clicking here ). That sunset History mourn for him watched and commented on the drama surrounding modes and presented some of the emerging patterns. Twelve years later, on hyper-feminine Emily's monologue about love and cuddly plural (pronounced without eses) updates without knowing that image of the handsome actor who lit a cigarette on stage at the Red, and has now, in the Defenders Club Bravard, this exquisite, hyperconscious work on the modalities of theater this decade.

literary developments and the game of inventing names
An area of \u200b\u200bliterary theory holds that prevail after a while, a dominant genre begins to show their principles of construction to make them more aware and more explicit and even reverse their orientation and become parody. Two comments: one, that "structural principles", "reverse orientation" and "dominant gender" are words invented in order to account for something. Second, what happens when the dominant genre is already a parody?

In this review, as a tribute to hyperconscious Gobernori-aware that a couple of years, I coordinated a round table on the night of the libraries, promised to do theater with fewer financial resources than one would consider essential, and met- after synthesis will plot a collection of theatrical resources that, compensating, abounds. They invent names theorists. Let's see how it goes. Plot Summary


Three political pointers, weak and eighties aguantadero refuge in a stranger, the law, as in Kafka, is strict and unknowable. Corroborate the boys before the paranoia and love, in theatrical terms, are identical.

And the summary of the typical ... Men emotional


Apart from the emotional memory "method", the decade was given to the presentation of hyper-violent men and weeping. Masculine emotion from The sin that can not be named until Lot 77 - is a breeding ground for drama.

Trimetría
Three theater. The trio, which allows stability and variation, it spreads. See the photo of the show and be known, forever, a trio that inhabits the scene looking at different places. Reality is a symmetrical composition commentary from the scene two, scene one is a fake, if you will, because the wig is prologue: both looked away, I look at literally elsewhere.


The timeless locked already said that prototypical Telefónica advertising of the nineties: Walter, the son ochentoso, returned home. "Mom, Dad, what happened?" The past is a time of closure. The past, the grotesque animal. Your route.

Action for breach of tone
Or as World Cup training Menotti comment 78: "speed along, speed out wide, to recover the remainder of the perimeter." Acting is an altered state, a sudden pique, a cry unexpected win for demolition.


paranoid effect consists in the reiteration suspect, strongly, of a banal phrase that does not have much felt their deixis. Repetition, by the conversational plus the dangerous turns. For example:
X: (to pass) always read this blog.
Y: (dry) I do not care what you read.
X: (firm) always read this blog.
Y: (fast, foot, shouting) I do not care what you read!
X: (neutral) this blog.
Y: (violent) I do not care what you read! (neutral) What's for dinner?

Altered States and the displacement of time referred
The typical performance of the decade is neutral or rough. Needless to say which side says Gobernori and company performance. Holding midfielder, the game is an altered state. The fascinating comedy is to offer those states, without comment, with images of a decade did not know this roughness pants wrangler, ford sierra, and leather-Ubaldini camperitas epaulettes. Dislocation

time referred
language I do not know a Wednesday and I do not foo or.

The common accented
designating a cliché way, by entering the system as a common place, is the ABC of parody. Use of this commonplace, pointed, bet is the language of a dramatic actor, quasi impossible in case: What

desktop playwright wrote "one nail drives out another nail"?

Lady
evoked no evoked three men without a lady (except for all the works of three men in which there is evoked a lady). Not many. How intense is that evoked lady appears and fulfills its role in a play for three players.

private moment exercise
The classical method proposed exercise of the display of private moments, claiming a degree of concentration acting as to what the actor would never do in front of anyone real life could do on stage as if nothing had happened. I never saw anybody do that, "as if such a thing." Always lie. How to make your needs in a bucket. Exercise

imaginary objects
The classical method proposed by the mastery of the body by manipulating objects on the scene the actor imagines as the perceived truth. Rough achieves maximum exposure of the artifice, as are the characters who can act a game of trick without cards and no action. Musical Moment


Every work of the decade that price has musical moment. The musical moment is, again, two expressions: neutral (See matrix Open House, click here ) and the rough, which is to Gobernori. Is trying to be. Altered. Music. Teacher.

stabbed the crossbar
And let me quote a self-final:
said Ana Garibaldi, unforgettable, in the setting of Drut: "Whenever there is a crime at least, any silly thing gets interesting." More than a decade later, an intense actor performs the bearer of the wig, reciting classics.

Roughly, a typical job is no more (nor less) than the agglomerate aware of the theatrical means of an era. It is also the desire to be small, typically, do street theater Bravard.

And if this bit was the reaffirmation of the universe, all in Rough is excellently acted.

Extraction Of Trimyristin From Nutmeg

on a vow of silence, Veronica McLoughlin

On Sunday I went to see a vow of silence, the story of a kiss, written and directed by Veronica Mc Laughlin, theater space Elkafka, Lambaré 866 (4862 5439)

White Silence A play is-also-an event sound. Kartun, master playwright, spoke in musical metonymy writer's ear works. Rubén Szuchmacher, master directors was an exercise for his disciples to compose a theatrical event based on a sound matrix (the case I remember was a tape recording from the musician Edgardo Rudnitzky). The classic works written in verse, the old, amplified with the mask or "per-person" voice of the actors. The dreams and the theater, silence is a musical silence as a value in the art of combining sounds.

Vow of Silence is the staging of the delicate score that surrounds a gesture, the story of a kiss, amplified sound and movement by the archetypal figures in a fable.

plot summary
A quiet and demure woman staying with a lonely man. The desire, soft, accurate, undeniable, exerts a gentle pressure on the habits.

Fable: The train, the bag, water
To achieve the expansion (and interest) of the gesture, said, the book provides the time and space in the fable, its characters and story elements are : an old suitcase that refers to its archetype, the sound of water, the roar of the train-trip-thunder symbol, dim lighting, clothing classless and literary characters: the male energetic and noisy, and the seminarian silent quintessence Immaculate body.

Women
girl The small and intimate audience of Elkafka crying, touched by the loss of a renewed innocence. The characters are not children, but it's as if they were. She does not speak and then speak: the breakdown of the expected benefits enjoyment.

Vow of Silence circumvents the obstacle of all public areas, pointing, modified, novelty: for this persistent torsion-making talent of the actors, the soundtrack and the use of time-a seamstress nun sleeping in a suitcase and wakes up one sunny morning with birds with a "book of penance" hidden, alone in the house inhabited by a man, giving away the artificiality and becomes intimately erotic.

Tell me a story
Aware and thematic exhibits her work in putting procedural abyss: "Tell me a story," he says almost the first time, as if just learned to speak, "the woman girl. And he tells the story of himself, who receives it. The meeting of literary elements and metateatreales, I believe, allow focus to move the "naturalness of behavior", amplified. And it is this slight movement that proposes and bodies while their strange tension, that for which even the empty space, the intriguing moments in which neither actor or actress is on stage, is inhabited.

A door
How to speak of love, asks from the program's author and director. Quoting Barthes, love is "madness is the region where the language is both too much and too little, excessive and poor." However, the language of Vow of Silence is nothing excessive or poor, but rather think about the exposition of a thesis about the perfection, the virtue of the need. Approaches, for its brevity and the small tour of his bow, to a year. Exercise approved: the sequence of the dress on, in which a single step on skirt is repeated indefinitely, says it all.

My conclusion is that Vow of Silence does not refer to love, which is imprecise, but the refined erotic gesture. Impossible-the complete works of a gesture, or Hollywood-the guy who saves the girl and, after changing the established order, is rewarded by a kiss-here music and body become, without being dance. There are forty minutes, no more, a gesture that has no time. The charm and accurately transform a low history of a kiss in a play.