On Monday I went to see HERNANITO, Alexander Acobino (Monday, 21 hours in NoAvestruz, Humboldt 1857 - tel: 4777-6956) Two theatrical modes over a year ago I mentioned in my review About Frankie & Johnny in the moonlight (read that review, click here ), a classic technique of handling realistic characters in the drama: the profound encounter ¬ "or personal revelation," that "involves conduct strong internal contradictions of the characters [...] to a degree of tension that the pop in the revelation [...] a certain "truth" inside, a truth that was there and even usually also revealed before the astonished eyes of the protagonist. "
is clear that the conduct of the internal contradictions of the characters burst into a developer is not the exclusive property of realism and can be found, exacerbated in the grotesque, that kind of extraordinary productivity in our theater in the fall the mask reveals the protagonist himself the sad and epiphanic face the truth.
Hernanito The foundations of , Alexander Acobino, appear to be strongly supported in this mode of conducting its duo: its gentle and enervating characters attract and over again-while-repel, causing the explosion and the unveiling. The problem, or causing or non-installation is the powerful, while an opposite way and perhaps incompatible theatricality.
Permanence
Immortals, Vladimir and Estragon remain performing their routines and waiting for Godot. The revelation to them, as has happened (and is dark and forgotten) or no longer happen (they might be Godot, and we are waiting). The remarkable and touching conclusion come into question even suicide, for only permanence is kept at bay the loneliness absurd. The management of "routine" the comedy duo (or grotesque duo, duo or pathetic) is that of ritual, laughter, return. And indeed, the foundations of Hernanito melt and merge with this (other) great tradition, stopping, shifting and changing the staff of the key action.
Workshop Summary plot suspect metallurgical industrial belt of Buenos Aires. The pattern of the enterprise by hiring qualified operator for the manufacture of (suspected) industrial parts. Despite the efficiency of the production chain, the tension increases. A deep crisis becomes chief vocational personality crisis. And it manifests itself.
moments of happiness Acobino
The noted author of the remarkable Rolling no longer offer theatrical moments of true happiness. That music, Acobino, that music ...
The comedy duo is a pin pong
Hernanito is a dual development work in which a comedy duo with solvency remains and executed their routines, while a plot tension and slowly weaves devel is in the interstices of the quiet (or vice versa: the stillness is inserted into the interstices of an action that moves). He is also aware that a work, and their images are often there as a comment. See especially the scene of the Ping-Pong: The rally is uneven pace and grace of the duo is effectively stable. The tension grows and, under routine emerges the idea of \u200b\u200bconflict.
Metallurgy Perhaps the problem is the expectation that each work, assuming doubled, resulting in the viewer. He personal world of metallurgy, in which the machines operate really, really sound and produce real scrap metal, proposes a metaphoric world exorbitant whose magnitude is not part of the action: the work is concerned with moving the metal world to dear / ominous world of wooden doll leaving the steel case, leaving aside the real and terrible about the little pieces supermachine expelling nickel. Propose another universe of equivalent power, but will not return to the metal.
be
The grotesque is exquisite and recurrent. The operator will, in a quasi-exorcism, her head to face the truth. And then return to face it. And then again.
Be
What comes to mind from the routine. And actors who can hold it. Even at the maximum stillness: the flagship radio pastor who preaches the impossible.
Hernanito Stay proposes something that is an excess: to the fleeting glimpse of the truth (the metallurgical and Nietzschean clash of swords) a routine comedy duo in Chinese boxes, where you yourself can even do two voices. The result overflows senses. And kill the time.
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