On Saturday I went to see AURELIANO, Román Podolsky, the Abasto Social Club (Humahuaca 3649 / 4862 7205) Saturday at 21. box
In 1997, at the legendary Alley of Wishes, Luis Machin and Alejandro Catalán, under the leadership of Omar Fantini, premiered a bizarre piece of theater would become a classic tested by a curious section in my view, unprecedented: his age, over the years, the renamed under another name. The work in question was on two lovable characters body language and broken, which dealt in a box that once housed a refrigerator, to reconnect an appliance-probably a TV aerial. Due to a short, one of them went to another dimension to the beyond, "and from there on stage remained attached. The play was called Near East and, personally, ever since I saw two actors conceived and executed with such precision alternative language for such effectiveness. Only sparkle in my memory, for various reasons, always celebratory-a fragment of Several pairs of feet above the marble floor (that version of Pinter's works adapted Rafael Spregelburd a year earlier, at the Centro Cultural Borges, with the ineffable Machin's protagonist), in which Luis was playing, dressed in a tuxedo, a sort of ping pong with tennis ball. Also a fragment of fishing , Ricardo Bartis, where Machin himself out to the balcony to mimic a hand amputated Perón waving, smiling, to "partners" in the square. And, of course, Carolina Tejeda, alone in the plains and in time, reeling Flour, Podolsky.
Near East, the lovable, unforgettable, it was renamed as "The Box", and the duo Catalan / Machín the continued offering here and there in a corner of Buenos Aires, Rosario in a room in a tour of France in Caracas, in Spain, until 2005. Since then, it is silent.
Flour (2005, Tejeda and Podolsky - click on the name) was organized in a square house with a sort of square window, and two related areas that cut in the plain loss of time and forgetfulness. In Aureliano back stage area that cuts square space, with the window now on the side, whereby the memory can only flee to return. And because this work is aware of its theatricality and its references, box, carton, that of refrigerators and refugee men in them, returns as a quotation and picture, along with the mattress and the lives of women narrates.
plot summary
A middle-aged woman cherishes memories and questions. Alone with his mattress, his clothes and his plant, stays together. The company is the word, thought, music and body uncomfortable secret.
A middle-aged woman cherishes memories and questions. Alone with his mattress, his clothes and his plant, stays together. The company is the word, thought, music and body uncomfortable secret.
time is not the emphasis on casual meal , either in this article on Aureliano or reviews from critics and the press. Aureliano Flour says. The first establishes a language, a way of saying, a way of living, a way to dramatize. Aureliano , to comment, as indicated, is established. Let's put the formula: as the Kafka of Borges, Aureliano creates its precursor. The feeling is this: any time the dress was transformed into slides, flour plant, Roxana Carolina.
Why
climbed a mountain
Comparatively, the first is the classic, the second a variation. The value is the language that crystallizes Román. Discuss it with anyone. Aureliano has magical moments, pearls and metaphorical reflection on trekking or distilled perfume that chik lit of the relationship between the dresses and moods. It also has strong moments of inconsistency, as the conversion to body = chamamé than it was a vague reference notable border into Paraguay. Insist on the illustrative figures to make them a risk but that risk taken worth: I also argue to anyone. The "mode Podolsky, "as that parent Open House at the beginning of the decade that is recycled in whole or as variations on Raymond Carver that saturated the dot 90 and this, deserves to be followed closely. I follow.
Comparatively, the first is the classic, the second a variation. The value is the language that crystallizes Román. Discuss it with anyone. Aureliano has magical moments, pearls and metaphorical reflection on trekking or distilled perfume that chik lit of the relationship between the dresses and moods. It also has strong moments of inconsistency, as the conversion to body = chamamé than it was a vague reference notable border into Paraguay. Insist on the illustrative figures to make them a risk but that risk taken worth: I also argue to anyone. The "mode Podolsky, "as that parent Open House at the beginning of the decade that is recycled in whole or as variations on Raymond Carver that saturated the dot 90 and this, deserves to be followed closely. I follow.
catch Paraguay and Paraguay is the border
evoked. Flour Sarmiento was the desert, who died in Paraguay. Aureliano is Spirited Away, which brings us back to living. The male body is very rare, but it is undeniable: it is there and makes her difference. The box hit by a female cloth causing the flight of a man by the window justifies everything, even the catch, which escapes me.
evoked. Flour Sarmiento was the desert, who died in Paraguay. Aureliano is Spirited Away, which brings us back to living. The male body is very rare, but it is undeniable: it is there and makes her difference. The box hit by a female cloth causing the flight of a man by the window justifies everything, even the catch, which escapes me.
Berco and Pecoraro
This is anecdotal and remarkable. Function came to China Zorrilla, and Susu Pecoraro. Do not tell me Susú Roxana Berco and sisters do not appear. They are a talented variation, one of the other and vice versa. Of the best.
This is anecdotal and remarkable. Function came to China Zorrilla, and Susu Pecoraro. Do not tell me Susú Roxana Berco and sisters do not appear. They are a talented variation, one of the other and vice versa. Of the best.
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