Last week I went to see state of anger, of Cyrus Zorzoli, the Teatro Sarmiento (last week of the season). Friday, December 17, 2010
Saidapet To Stella Maris
Last week I went to see state of anger, of Cyrus Zorzoli, the Teatro Sarmiento (last week of the season). States
Since multiple Rough talented , a typical job of Gobernori (take this opportunity to salute the brave defenders Bravard the adoption of the law that recognizes), and small and does not function Last reviewed Iturbe, Milone and Torres, as Dream A Midsummer Night , as the works of Pirandello, as a bout of improvisation, as the whole baroque theater, Ira State is a play about the ways of presentation and representation of the theater.
Since multiple Rough talented , a typical job of Gobernori (take this opportunity to salute the brave defenders Bravard the adoption of the law that recognizes), and small and does not function Last reviewed Iturbe, Milone and Torres, as Dream A Midsummer Night , as the works of Pirandello, as a bout of improvisation, as the whole baroque theater, Ira State is a play about the ways of presentation and representation of the theater.
is, at the opposite end of the first, its consummation.
plot summary
In the mythical room adjacent to the official Zoo de Buenos Aires, a hearty group of actors represents a group of actors whose official task is to hold municipal rehearsal for Hedda Gabler for a famous actress called the replacement of the protagonist to release tomorrow.
In the mythical room adjacent to the official Zoo de Buenos Aires, a hearty group of actors represents a group of actors whose official task is to hold municipal rehearsal for Hedda Gabler for a famous actress called the replacement of the protagonist to release tomorrow.
Life is trial
Reincarnations, valley of tears, promises of better lives, future, eternal, many belief systems and thought agree on the precariousness of the short unit chains of events between birth and death call life. Fragility to expand the category of preparation, learning, path whose meaning lies elsewhere. And meanwhile ... is life.
Reincarnations, valley of tears, promises of better lives, future, eternal, many belief systems and thought agree on the precariousness of the short unit chains of events between birth and death call life. Fragility to expand the category of preparation, learning, path whose meaning lies elsewhere. And meanwhile ... is life.
Ira State is a test. With a skill rarely seen address and thanks to a remarkably large set-acting that supports the inalienable capacity theater governance, we can finally offer is also vital and full thickness aesthetic that simultaneously occurs while he lives.
Comment Most notably, what makes my opinion in a contemporary bead is the lack of comments. The work runs in its own way, an adjusted version, and for those who remember the gist of his argument, enjoyable to Hedda Gabler, in a world yes, that produces their mode of existence outside theatrical representation: is there as a state, as a possibility.
Representation is the commentary. Hedda Gabler , assumed the only way that the theory of action that holds this show conceived a theatrical text (or what we call "a play") is the text of the background that "says" action, not occurs.
The "work" as an ideal entity is marginal. The great Ricardo Bartis, mentor and with reference to the hyper-productive performance by "states", whose greatest exponent, Carlos Defeo, of unforgettable performances, spits his juxtapositions of real states in a pure state of Ira , says it better than me, of course. Let's read it live. Frequent
Bartolo
"My resistance to the publication of the texts in which work, including adaptations, as the case of a I did Hamlet from Shakespeare, or Doll on a text Armando namesake Discepolo is because they believe in the value of the texts come out of those events and developments taking place on stage [...] The most important thing that happens there is the strength and energy to serving the text, but the action is not nor will ever be in the text, can never be that energy, that decision, that will I seek there when I run a show. I feel the text so alien to me as if separately, for example, the element of light, as if I propose to transmit the lighting design of a show, because someone might be interested in the treatment of light. [...] I think the text has always been an ideological supremacy in relation to the form and body, and has been crystallized the belief that the textual narrative is the story of theatrical events, and theatrical events have nothing to do with the story text, is at stake because a situation of another order. First, a situation that is organic. There are bodies, body organs, blood, muscle, chemical, contact energies are going to get moving. The other, the text is an excuse for that. "
Ricardo Bartis. Court fog. Buenos Aires: Atuel, 2003
depth
Ciro Zorzoli achieved, in his poetics of space (the geometric depth is perfect), and in this very lack of feedback, in which the flag is hoisted thickness an event, to bring into the main event that is Bartis further comment. The work in Zorzoli arises where Bartolo says. And it raises. More than that legendary Hamlet, the war theaters of BartÃs here Hedda Gabler structure, supports and said creatures that do not belong, without saying a word about them. The theater is imposed, in a plane of simultaneity.
Ciro Zorzoli achieved, in his poetics of space (the geometric depth is perfect), and in this very lack of feedback, in which the flag is hoisted thickness an event, to bring into the main event that is Bartis further comment. The work in Zorzoli arises where Bartolo says. And it raises. More than that legendary Hamlet, the war theaters of BartÃs here Hedda Gabler structure, supports and said creatures that do not belong, without saying a word about them. The theater is imposed, in a plane of simultaneity.
The old life of Hedda Gabler
We said Ira state is the consummation of the intelligent Rough . This, with a simple procedure, in a bold corner of Centennial Park, the main procedures theatrical shows "typical" of a decade. Ira State takes a solo, exposes and multiplies to produce something nameless and speechless, which is very little, but not so little: in a mythical official room next to the Zoo of Buenos Aires, a group of ...
What is not true , of that Hedda empty and meaningless (whose legacy if not murder is suicide), in the sad and lonely actress, stripped of role, in hose and the side of a ordinance that will stay there as long as you need it, to lose, lose, lose?
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